Lavinia has everything that Louise is missing, so when the two become unlikely best friends, Louise’s life is turned upside down. The parties get wilder, the bills get bigger, and Louise begins to question how far she’ll go keep this up, to have a life like Lavinia’s, or Lavinia’s life itself.
The Flower Girls follows Hazel’s life as an adult, given a new identity as a child after her and her sister committed a brutal act against another child. Hazel, too young to understand, was given a new identity and went on to lead a relatively normal life, whilst her sister, Laurel, has spent her life since in prison. But when a young child goes missing at the same hotel that Hazel and her boyfriend are staying, Hazel’s past begins to rear it’s head, and threatens to ruin everything.
This book of quotes compiled into one of Penguin’s Little Black Classics collects Wilde’s musings on money, science, marraige, and literature, amongst an array of other topics.
A fast-moving, eerie tale set on Halloween night. Eight costumed boys running to meet their friend Pipkin at the haunted house outside town encounter instead the huge and cadaverous Mr. Moundshroud. As Pipkin scrambles to join them, he is swept away by a dark Something, and Moundshroud leads the boys on the tail of a kite through time and space to search the past for their friend and the meaning of Halloween.
After losing his leg to a land mine in Afghanistan, Cormoran Strike is barely scraping by as a private investigator. Then John Bristow walks through his door with an amazing story: His sister, the legendary supermodel Lula Landry, known to her friends as the Cuckoo, famously fell to her death a few months earlier. The police ruled it a suicide, but John refuses to believe that. The case plunges Strike into the world of multimillionaire beauties, rock-star boyfriends, and desperate designers, and it introduces him to every variety of pleasure, enticement, seduction, and delusion known to man.
In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women’s lives and the violence visited upon their bodies.
In a London flat, two young boys face the unbearable sadness of their mother’s sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness. In this moment of despair they are visited by Crow – antagonist, trickster, healer, babysitter.