The House of Berethnet’s thousand year rule is all that has kept the Nameless One, a powerful dragon with an army of wyverns and wyrms at his disposal, locked away in the Dreadmount. Pressure is mounting on the current queen, Queen Sabran the Ninth, to give the West an heir and continue the protection of her realm. Assassination attempts are creeping closer and closer but Ead, a mage disguised as a lady-in-waiting, is silently thwarting them all, leading to rising suspicion of her identity at court.
Olivia Gatwood’s first full length collection looks at what it’s like to grow up as a girl and grow into a woman in world where so much violence is afflicted upon girls and women; a world where our popular culture feeds on their pain.
Jonathan Van Ness, one fifth of the fabulous Queer Eye team we’ve all come to know and love, tells his story from the very beginning, starting back when Jonathan was just little Jack living in a small town in the mid-west, all the way up to breaking onto our laptop screens with a Netflix-backed reboot that has become an international phenomenon.
Eleanor Oliphant’s perfectly timetabled life is turned upside down when she and the office IT guy, Raymond, save the life of Sammy, a elderly man who falls in the street. She finds her life disrupted by social expectations and engagements, and longs to return to her weekly routine of vodka binges and frozen food. One thing she does wish she could cut from her week is her Wednesday phone call with her mother. With the help of Raymond, Sammy, and a host of other new acquaintances, Eleanor begins to learn that her life can be different if only she just opens up to it.
Hanne Blank’s survey of virginity through the ages looks at how this abstract concept has evolved, uncovering origins to the myths that have been perpetuated over centuries. Blank also considers the stories of famous virgins from the biblical to the royal and even those on our television screens.
After over 25 years in the business, Louis Theroux recounts his time in documentary television making and his personal life alongside it, shedding light on the behind the scenes action of some of his most memorable – and controversial – TV subjects.
Raxter School for Girls lies at the tip of an isolated island off the coast of Maine. Eighteen months ago it was hit by the Tox, a mysterious illness that killed off most of the teachers and leaves the students suffering from horrific and violent mutations. The island has been in quarantine ever since. The only people to ever leave the confines of the school are those chosen for Boat Shift; a select few tasked with collecting meagre supplies shipped in by the Navy to be brutally fought over by the surviving girls at the school.
The year is 2059 and the Earth has ceased orbiting the sun; an event that has become known as the Stop. Half the world burns in never-ending sunlight, whilst the other freezes under the cover of darkness. A thin slither of the globe that exists in permanent twilight has managed to survive. Within this small area lies Britain; under Prime Minister Davenport it is a country that has done monstrous things to preserve its resources, block its borders, and continue in some semblance of normalcy.
Journalist Tuva Moodyson has just two weeks left in the sleepy Swedish town of Gavrik. Soon she’ll be on a sleeper train to the south, to a new job and a fresh start. As she begins to pack up her life, a mysterious suicide and a horrific homicide occur within days of one another and plunge the town’s main employer, the family-owned liquorice factory, into the middle of a murder investigation. A local writer recruits Tuva to research the Grimberg liquorice dynasty amidst the police’s attempt to find what has become known as a the Ferryman killer. There are two bodies, and Tuva has just precious little time to figure out what the Grimbergs are hiding.
A few weeks ago I went to see Greta Gerwig’s adaptation of Louisa May Alcott’s children’s classic, Little Women! I’ve never read the book, nor have I seen any other adaptation, so I went in with nothing to compare it to. I don’t know if that had anything to do with my response to it, but regardless, I absolutely adored this film! I had high expectations anyway – anything Greta Gerwig touches is golden – but I didn’t expect to love it as much as I did. This review will contain one or two spoilers about the film, so if you haven’t seen it, proceed with caution!