Ijeoma is coming of age during the Nigerian Civil War, a conflict that devastates her home and her family. Sent away by her mother for her own safety, Ijeoma finds herself embarking on a passionate love affair with another girl. She quickly learns the consequences of expressing this part of her identity and struggles to navigate the violent prejudices of her people.
Oranges Are Not the Only Fruit is a coming-of-age story that follows a young Northern girl named Jeanette. Adopted and raised in a religious family, Jeanette believes she is destined to become a missionary. As Jeanette reaches her teenage years, she finds herself falling in love with another girl, and her strict Pentecostal church responds with vehemence.
At the age of 79, the elusive Sixties Hollywood starlet Evelyn Hugo decides to tell the story of her life, on the condition that she speaks only to little-known writer Monique Grant. No one can quite understand why Hugo has chosen Monique, most of all Monique, but she jumps at a chance to kick-start her career with this scoop. As Evelyn unravels all her secrets, including the ins and outs of her numerous marriages, her story hurtles towards a tragic intersection with Monique’s own life, finally revealing why she was chosen to tell Evelyn’s story.
Shy, intellectual, and living in rural Oregon, Triinu Hoffman just doesn’t fit in. She does her best to hide behind her dyed hair and black wardrobe, but it’s hard to ignore the bullying of Pip Weston and Principal Pinn. It’s even harder to ignore the allure of other girls.