The House of Berethnet’s thousand year rule is all that has kept the Nameless One, a powerful dragon with an army of wyverns and wyrms at his disposal, locked away in the Dreadmount. Pressure is mounting on the current queen, Queen Sabran the Ninth, to give the West an heir and continue the protection of her realm. Assassination attempts are creeping closer and closer but Ead, a mage disguised as a lady-in-waiting, is silently thwarting them all, leading to rising suspicion of her identity at court.
Ella is drifting through her 20s, with the distinct feeling that she’s not where she should be. She watches as her girlfriend, Alix, succeed in her art and make plans to take her work abroad, while Ella herself fails to produce more than one painting a year, despite her similar artist aspirations. Instead, she finds herself bouncing from one care-giving job to another, privy to the most private moments of people in need. She takes on the task of caring for Jill, a client slightly younger than her usual charges who is left mentally diminished following a tragic accident. Ella is struck by the tenderness with which Jill’s husband, Bryn, cares for her, and the quiet friendship that develops between the two of them as Ella returns each day to help where she can. As she continues to observe their marriage each day, Ella finds herself questioning her own relationships with those around her.
House of Impossible Beauties charts the lives of the drags queens that formed the beginning of legendary Latino drag house, the House of Xtravaganza. In 1980s New York City, Angel is seventeen and finally coming into her own. When her mother rejects her, she looks for a new family in the ball scene, where she meets Hector. They fall in love and decide to create their own all-Latino house, with Angel as the ruling mother, and Hector beside her as house father. When Hector dies from AIDs-related causes, Angel must mother her drag children alone. Venus, Juanito and Daniel all lean on each other and their mother Angel, as they learn how to navigate the ballroom scene, along with sex work, drug addiction, and society’s rejection of their true selves.
Ijeoma is coming of age during the Nigerian Civil War, a conflict that devastates her home and her family. Sent away by her mother for her own safety, Ijeoma finds herself embarking on a passionate love affair with another girl. She quickly learns the consequences of expressing this part of her identity and struggles to navigate the violent prejudices of her people.
Oranges Are Not the Only Fruit is a coming-of-age story that follows a young Northern girl named Jeanette. Adopted and raised in a religious family, Jeanette believes she is destined to become a missionary. As Jeanette reaches her teenage years, she finds herself falling in love with another girl, and her strict Pentecostal church responds with vehemence.
At the age of 79, the elusive Sixties Hollywood starlet Evelyn Hugo decides to tell the story of her life, on the condition that she speaks only to little-known writer Monique Grant. No one can quite understand why Hugo has chosen Monique, most of all Monique, but she jumps at a chance to kick-start her career with this scoop. As Evelyn unravels all her secrets, including the ins and outs of her numerous marriages, her story hurtles towards a tragic intersection with Monique’s own life, finally revealing why she was chosen to tell Evelyn’s story.
In 1967, four female scientists worked together to build the world’s first time machine. But just as they are about to debut their creation, one of them suffers a breakdown, putting the whole project—and future of time travel—in jeopardy.
Shy, intellectual, and living in rural Oregon, Triinu Hoffman just doesn’t fit in. She does her best to hide behind her dyed hair and black wardrobe, but it’s hard to ignore the bullying of Pip Weston and Principal Pinn. It’s even harder to ignore the allure of other girls.
In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women’s lives and the violence visited upon their bodies.
At first, Jude and her twin brother Noah, are inseparable. Noah draws constantly and is falling in love with the charismatic boy next door, while daredevil Jude wears red-red lipstick, cliff-dives, and does all the talking for both of them. Years later, they are barely speaking. Something has happened to change the twins in different yet equally devastating ways…